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标题 《哲理散文》励志的英文散文
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  真正的强者,不是流泪的人,而是含泪奔跑的人。下面是有励志的英文散文,欢迎参阅。

励志的英文散文:眼睛会说话

  Much meaning can be conveyed, clearly, with our eyes, so it is often said that eyes can speak.

  Do you have such kind of experience? In a bus you may look at stranger, but not too long. And if he is sensing that he is being stared at, he may feel uncomfortable.

  The same in daily life. If you are looked at for more than necessary, you will look at yourself up and down, to see if there is anything wrong with you. If nothing goes wrong, you will feel angry toward other’s stare with you that way. Eyes do speak, right?

  Looking too long at someone may seem to be rude and aggressive. But things are different when it comes to stare at the opposite sex. If a man glances at a woman for more than 10 seconds and refuses to avert his gaze, his intentions are obvious, that is, he wishes to attract her attention, to make her understand that he is admiring her.

  However, the normal eye contact for two people engaged in conversation is that the speaker will only look at the listener from time to time, in order to make sure that the listener does pay attention to what the former is speaking, to tell him that he is attentive.

  If a speaker looks at you continuously when speaking, as if he tries to dominate you, you will feel disconcerted. A poor liar usually exposes himself by looking too long at the victim, since he believes in the false idea that to look straight in the eye is a sign of honest communication. Quite the contrary.

  In fact, continuous eye contact is confined to lovers only, who will enjoy looking at each other tenderly for a long time, to show affection that words cannot express.

  Evidently, eye contact should be done according to the relationship between two people and the specific situation.

  我们的眼睛能准确地传达一些信息,所以人们常说,眼睛会说话。

  你有过类似的体验吗?在公共汽车上,你可能会看着一个陌生人,但时间不会太长。而且,如果他能感觉到有人盯着他,会觉得浑身不自在。

  日常生活中亦如此。如果别人一直盯着你看,你就会不由自主地审视自己,看看是不是有什么地方弄错了。如果一切正常,你就会对别人的这种盯梢很气愤。眼睛确实能说话,不是吗?

  过久的盯着别人看会给人一种粗鲁和侵犯的感觉。但异性之间的凝视就不同了。如果一个男人盯着一个女人超过10秒钟,还不想挪开视线的话,他的意思就十分明显了,他想引起她的注意,想让她知道他爱慕她。

  正常情况下,两人交谈时,目光接触能传达这样的意思:说者偶尔看看听者,以此确认听着是否在认真倾听。而对于听者来说,他会一直看着说话的人,以此告诉他,自己正专心致志的听着。

  假如与你说话的那个人直直的盯着你,好像要镇住你似的,你便会感到惶恐不安。一般地,说谎者往往就是看别人的时间过长,而令人起疑。因为他们以为直视别人的眼睛是诚实沟通的表现,结果恰恰相反。

  实际上,长时间的相互凝视仅适合情人之间,他们喜欢温柔的对视,用目光来传达言语无法表达的爱意。

  显然,目光交流应该根据双方的关系和特定场合来进行。

励志的英文散文:品味现在

  Tucked away in our subconsciousness is an idyllic vision. We see ourselves on a long trip that spans the continent. We are travelling by train. Out the windows, we drink in the passing scene of cars on nearby highways, of children waving on a crossing, of cattle grazing on a distant hillside, of smoke pouring from a power plant, of row upon row of corn and wheat, of flatlands and valleys, of mountains and rolling hillsides, of city skylines and village halls.

  But the uppermost in our minds is the final destination. On a certain day at a certain hour, we will pull into the station. Bands will be playing and flags waving. Once we reach there, so many wonderful dreams will come true and the pieces of our lives will be fit together like a completed jigsaw puzzle. How restlessly we pace the aisles, damning the minutes loitering, waiting, waiting, waiting for the station.

  "When we reach the station, that will be it", we cry. "When I'm 18", "When I buy a new 450SL Mercedes Benz", "When I put my last kid through collage", "When I have paid off the mortgage", "When I get a promotion", "When I reach the age of the retirement, I shall live happily ever after."

  Sooner or later, we must realize that there is no station, no one place to arrive at once and for all. The true joy of life is the trip. The station is only a dream. It constantly outdistances us.

  "Relish the moment" is a good motto, especially when coupled withe the Psalm 118:24:"This is the day which the Lord hath made, we will rejoice and be glad in it." It isn't the burdens of today that drive men mad. It is the regrets over yesterday and the fear of tommorrow. Reget and fear are twin thieves who rob us of today.

  So stop pacing the aisles and counting the miles. Instead, climb more mountains, eat more icecreams, go barefoot more often, swim more rivers, watch more sunsets, laugh more and cry less. Life must be lived as we go along. Then the station will come soon enough.  我们的潜意识里藏着一派田园诗般的风光!我们仿佛身处一次横贯大陆的漫漫旅程之中!乘着火车,我们领略着窗外流动的景色:附近高速公路上奔驰的汽车、十字路口处招手的孩童、远山上吃草的牛群、源源不断地从电厂排放出的烟尘、一片片的玉米和小麦、平原与山谷、群山与绵延的丘陵、天空映衬下城市的轮廓,以及乡间的庄园宅第!

  然而我们心里想得最多的却是最终的目的地!在某一天的某一时刻,我们将会抵达进站!迎接我们的将是乐队和飘舞的彩旗!一旦到了那儿,多少美梦将成为现实,我们的生活也将变得完整,如同一块理好了的拼图!可是我们现在在过道里不耐烦地踱来踱去,咒骂火车的拖拖拉拉!我们期待着,期待着,期待着火车进站的那一刻!

  "当我们到站的时候,一切就都好了!"我们呼喊着!"当我18岁的时候!""当我有了一辆新450SL奔驰的时候!""当我供最小的孩子念完大学的时候!""当我偿清贷款的时候!""当我官升高任的时候!""当我到了退休的时候,就可以从此过上幸福的生活啦!"

  可是我们终究会认识到人生的旅途中并没有车站,也没有能够"一到永逸"的地方!生活的真正乐趣在于旅行的过程,而车站不过是个梦,它始终遥遥领先于我们!

  真正令人发疯的不是今日的负担,而是对昨日的悔恨及对明日的恐惧!悔恨与恐惧是一对孪生窃贼,将今天从你我身边偷走!

  那么就不要在过道里徘徊吧,别老惦记着你离车站还有多远!何不换一种活法,将更多的高山攀爬,多吃点儿冰淇淋甜甜嘴巴,经常光着脚板儿溜达,在更多的河流里畅游,多看看夕阳西下,多点欢笑哈哈,少让泪水滴答!生活得一边过一边瞧!车站就会很快到达!

励志的英文散文:一个人的空间

  Those who wish to sing always find a song. — Swedish proverb

  If you have ever gone through a toll booth, you know that your relationship to the person in the booth is not the most intimate you’ll ever have. It is one of life’s frequent non-encounters: You hand over some money; you might get change; you drive off. I have been through every one of the 17 toll booths on the Oakland-San Francisco Bay Bridge on thousands of occasions, and never had an exchange worth remembering with anybody.

  Late one morning in 1984, headed for lunch in San Francisco, I drove toward one of the booths. I heard loud music. It sounded like a party, or a Michael Jackson concert. I looked around. No other cars with their windows open. No sound trucks. I looked at the toll booth. Inside it, the man was dancing.

  “What are you doing?” I asked.

  “I’m having a party,” he said.

  “What about the rest of these people?” I looked over at other booths; nothing moving there.

  “They’re not invited.”

  I had a dozen other questions for him, but somebody in a big hurry to get somewhere started punching his horn behind me and I drove off. But I made a note to myself: Find this guy again. There’s something in his eye that says there’s magic in his toll booth.

  Months later I did find him again, still with the loud music, still having a party.

  Again I asked, “What are you doing?”

  He said, “I remember you from the last time. I’m still dancing. I’m having the same party.”

  I said, “Look. What about the rest of the people”

  He said. “Stop. What do those look like to you?” He pointed down the row of toll booths.

  “They look like tool booths.”

  “Nooooo imagination!’

  I said, “Okay, I give up. What do they look like to you?”

  He said, “Vertical coffins.”

  “What are you talking about?”

  “I can prove it. At 8:30 every morning, live people get in. Then they die for eight hours. At 4:30, like Lazarus from the dead, they reemerge and go home. For eight hours, brain is on hold, dead on the job. Going through the motions.”

  I was amazed. This guy had developed a philosophy, a mythology about his job. I could not help asking the next question: “Why is it different for you? You’re having a good time.”

  He looked at me. “I knew you were going to ask that, “ he said. “I’m going to be a dancer someday.” He pointed to the administration building. “My bosses are in there, and they’re paying for my training.”

  Sixteen people dead on the job, and the seventeenth, in precisely the same situation, figures out a way to live. That man was having a party where you and I would probably not last three days. The boredom! He and I did have lunch later, and he said, “I don’t understand why anybody would think my job is boring. I have a corner office, glass on all sides. I can see the Golden Gate, San Francisco, the Berkeley hills; half the Western world vacations here and I just stroll in every day and practice dancing.”

  如果你仔细观察一个收费亭,你就会知道你与亭子里的这个人关系不是最亲密的,这是生命中常常出现的非偶遇者。你递给他一些钱,或许他还要找你些零钱,然后你开车走了。我仔细观察过17家收费亭,并在奥克兰-旧金山海湾大桥千百次路过,却没有一次找钱值得我记起某个人。

  1984年的一个上午,很晚了,我驱车去旧金山吃午饭,开到一个收费亭旁边,我听到很响的音乐声。听起来好像在开舞会,或是迈克尔•杰克逊的音乐会。我朝四周看了看。别的汽车没有打开窗户的,也没有宣传车。我朝收费亭里望去,有个人在里边跳舞。

  “你在干吗?”我问。

  “我在开舞会呢,”他说。

  “那其他人呢?”我看了看其他的亭子,没什么动静。

  “我没邀请他们。”

  我还有十几个问题要问他,但我后面的人急着要去某地,开始按喇叭,我只好开走了。但我在心里告诉自己:还要再找这个人。他眼里有某种东西,告诉我在他的收费亭里一种魔力。

  几个月后我又见到了他,音乐仍然很响,舞会还在举行。

  我再次问他:“你在做什么呢?”

  他说:“我记得你上次问过了。我还在跳舞,还在举行同样的舞会。”

  我说:“瞧,其他人呢?”

  “打住。”他说,“你看那些东西像什么呢?”他指着那排收费亭。

  “看来就像收费亭啊。”

  “真是没有想象力!”

  我说;“那好,我放弃。你看它们像什么呢?”

  他说:“直立的棺材。”

  “你在说些什么呀?”

  “我可以证实。每早八点半,活的人进去。然后他们死亡八个小时。下午四点半,就像死人中的拉撒路,他们复活回到家中。整整八个小时,头脑思维中断,他们只是呆板地工作,重复着相同的动作。”

  我感到非常惊异。这个小伙子发展了一种哲学,创造了一个有关工作的神话。我禁不住又问了一个问题:“为什么你不一样?你过得很快乐。”

  他看了看我:“我就知道你会问这个,”他接着说,“总有一天我会成为一个舞蹈家。”我指向行政机关大楼:“我的老板都在那里,他们花钱为我培训。”

  十六个人呆板地做着工作,而第十七个,几乎处于同样的情况,却找到另外一种生活方式。那个人在举办的舞会,你我恐怕连三天都坚持不了。无聊!他和我后来确实一起吃过午饭,他说:“我不理解为何每个人都认为我的工作很枯燥。我有一个街角办公室,四周都是玻璃。我可以看见金门海峡、旧金山和伯克利山,半个西方世界都在这儿度假,每天我只是漫步到这里,练习跳舞。”

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更新时间:2024/12/23 21:25:54