| 标题 | 临汾尧庙导游词 |
| 范文 | 临汾尧庙导游词十篇 临汾尧庙导游词 篇1中华始祖之一的尧死后，后人为了纪念他——古代的第一个名君，在临汾城南四公里的地方建筑了尧庙。所在地叫尧庙村，由于帝尧建都临汾，因而史称“尧都平阳”。尧庙建于临汾，更证实了这一说法的正确。 尧，据说是帝喾的儿子，黄帝的五世孙，名放勋，号陶(音yao)唐氏，是我国原始社会末期的一个古帝。孔子在《论语 .泰伯》中说：“惟天为大，唯尧侧之。荡荡乎，民无能名焉”。可见尧王功德无量，众民爱戴。 尧庙前有一古朴门楼，正中刻有“古帝尧庙”四个大字，东、西两边横楣上写着“就日”和“瞻云”。庙始建于晋代，后经唐、元、明、清历代修建，不断扩大。庙内前面有东西朝房、光天阁、尧井亭，后面有尧宫、舜宫、禹宫、万寿宫，最后是寝宫，东西两边还有许多房舍、庭院。据史传，尧庙规模最大时占地七百八十余亩。 进了尧庙，首先看到的是秀丽的五凤楼。它始建于唐代乾封年间，距今已有1300多年的历史。楼高十九点三米，三层十二檐，楼底有砖建窑廊三孔，有直通三层角柱十三根，甚为雄伟。楼顶直立陶人三十余个，陶狮为中，风吹可上下走动，十分美观。据说，尧王常同他的四个大臣(既两位宰相。两位阁老)登楼远眺，而当时人们又把他和他的四位大臣喻为“五凤”，并有“一凤升天，四凤齐鸣”之说。“五凤楼”之名便由此而来。 五凤楼的后面有尧井亭。该亭始建于东晋太宁年间，距今已有一千六百多年的历史。亭为六角高檐楼阁形式，小巧玲珑，非常别致。亭中水井据说是尧王亲手所掘。井的直径八寸，井壁为两层，外层有卯榫砖九块一圈，叠圈砌成。相传尧井通海，至今井下泉水汩汩，清冽可饮。 广运殿亦称尧宫，是召见众臣共商国事的地方，也是庙内的主体建筑。始建于唐显庆三年，距今已有一千三百多年的历史。殿高二十三米，通进深二十六点三米，通面宽四十三米。殿内有十二米通顶立柱四十二根。柱下石基座雕刻精细，狮子、麒麟栩栩如生，各式花卉竟斗可妍，实为国内罕见。大殿龛内，有高达二米八的唐塑尧王像，两边站着两位宰相和两位阁老。尧王，据说姓伊，是尧庙南八里伊村人。伊村现尚存刻有“帝尧茅茨土阶”的石碑。相传尧王以前就住在土阶上的茅草屋子里。《韩非子. 五蠹》中写道：尧王住的茅草屋，吃的野菜根，不加调味，用土缸盛饮水，粗布仅掩身体，冬天披鹿皮，衣履不到破烂不堪不换。可见尧王的生活十分艰苦。 广运殿后是寝宫，始建于唐代麟德年间，距今约一千三百多年。宫龛内塑有尧王和其夫人的像。据说尧王的夫人是鹿仙女，生于姑射山中。山上现有鹿仙女洞、鹿仙女照镜石(一亩多大)、梳妆台等。 庙内苍劲的古柏，植于晋代，高十数米，直径两米多，十分罕见。其中的柏抱槐、柏抱楸，每至夏日，柏树中间盛开着槐花、秋花、奇趣盎然，堪助游兴。 尧陵位于尧庙东北30公里的郭村和涝河之间。尧陵的陵丘为纯净黄土建成，高五十米，环周八十米，陵上松柏翠，周围土崖环峙，涝河水经陵前南流。远眺如一高耸的丘峦，十分壮观。尧陵前筑有祠庙，据说是唐初创建。金泰和二年公元1220__年)碑记说，唐太宗征辽曾驻跸于此外，因谒尧陵遂塑己像。元、明、清历代均有修缮。祠内现存有山门、牌坊、厢屋、献殿、垛殿、寝殿、碑亭等建筑，布局紧凑，木雕精细，红墙绿瓦，格外醒目。 祠内，存有碑碣十余通，碑文记载了尧王故绩及尧陵沿革;明代嘉靖十八年(公元1539年)立的一块碑上刻有尧陵全图，至今保存完好。 临汾尧庙导游词 篇2古帝尧庙位于临汾市南约三公里处。尧庙汉魏时代始建于汾西古平阳城，晋惠帝元康年间徙尧庙于汾东原上。唐显庆三年(658)徙庙于城南今址。历代修葺，屡遭战乱，今存山门、五凤楼、广运殿、寝宫等，棂星门、仪门已毁。 山门正中门额嵌“古帝尧庙”四字，旁门东刻“就日”，西镌“瞻云”，意为人们依就如葵花向太阳，万民瞻望如五谷盼甘霖。山门以南两旁栽植柏树，原东西厢房百余间无存，仅有零散竖立着的历代碑石。西边新迁建琉璃九龙壁一座，面东。正面耸立五凤楼，雄奇俊秀，原名光天阁，意为尧舜光天下之明。楼下有三个砖券门洞直通中院，楼上重檐之下，围设围廊门台，登高望远，宫内外景物尽收眼底。顶上脊饰陶俑31个，人物个个栩栩如生。五凤和鸣象征天降仁君，君臣团结，河清海宴，国泰民安。穿过五凤楼，便是尧井亭，亭形六角，周设围栏，井深十米，上加篷盖，传说为帝尧亲凿，实为启示后人饮水思源，不忘帝尧功德。原来两侧的獬羊亭、冥荚亭今已无存。现存对称的四株古柏，一日柏抱楸、二日柏抱槐、翠柏丛中紫红楸花、洁白槐花盛开。三日鸣鹿柏，四日夜笑柏，传说曾有梅花鹿来树下嘶鸣。夜笑柏或说原产于印度，每年腊月三十日夜，树上沙沙作响，似笑语声，故名。 再后的广运殿高大雄伟，为祭祀帝尧之主殿。1987年政府拨款大落架重修，庙貌崭新。殿基高2米，长五条压边。殿前月台宽阔可容数百人参祭。月台前正中砌滚砖成坡，边砌石条，中心嵌有二龙戏珠青石巨雕，除皇宫外，非一般庙殿所有。殿高27米，宽九间，进深五间，周设围廊32间，内外共计77间，近似故宫太和殿。该殿重檐歇山顶，绿色琉璃瓦饰边，脊立五彩琉璃脊饰，龙飞凤舞，金碧辉煌。殿内竖立12根18米高的通天柱子，每根柱下都有石雕柱础，水磨青石，光洁可鉴。浮雕麒麟、狮、象、花卉、禽兽，形象逼真，刻工精细，具有较高的艺术价值。殿中砖木神龛中，彩塑帝尧圣像，高2.8米，身着九章服，头戴平天冠，帝王威仪，神采奕奕，旁立四男侍，龛台下四大臣分立两旁，传说左为方季、五满，右为单非、禾覃。龛前居中竖立两根盘龙大往，彩塑缠柱盘龙，威严可怖，名曰虬柱。殿前正中上方有二层彩楼，与大殿一体构成，新颖别致。殿内靠前墙两分各有悬空木梯可上彩楼。登楼眺望，尧宫景色，一览无余。广运殿取广以配天，运以配地之意，殿前彩楼两旁悬有“民无能名”四个大字。“民无能名”依张守节《谥法解》为：“民无能名曰神。”后院为帝尧寝宫，宫内彩塑帝尧及其夫人像。寝殿两旁新修长廊东西各20间，供展览参观之用。北魏诏祀帝尧于平阳，以后历朝“谨按祀典，诸前代帝王，三年一祭，其时以春之仲月，其地以当时所居国邑，祭祀……唐尧于平阳府”。元初大规模重建，“为地上百亩，为屋四百间”，忽必烈帝诏赐其宫曰“光宅之宫”，殿日“文思之殿”，门曰“宾穆之门”，并赐白金200两，良田15顷，为赡宫香火费。明代扩建为三圣(尧舜禹)庙，清康熙帝亲临平阳诏令重修尧庙，建万寿行官，御笔题匾，尧殿曰：光披四表;舜殿曰：浚哲文明;禹殿曰：万世永赖。诺示每年三月十八日起庙会，会期一月，至四月二十八日祭尧。届时官绅侨民隆重祭祀，三台唱戏，庙会热闹非凡。战乱以后，庙会废止。令人遗憾的是，1997年，广运殿被人故意纵火焚烧，火灭殿塌，造成难以挽回的损失。广运殿已于1999年复建。 古帝尧陵位于临汾市东，郭行乡北郊村西，距市区35公里。 尧陵依山傍水，建在山脚下一个半岛形的岩石丘上，涝河环绕，岩崖下潺潺西流，陵丘高50米，周3O0米，古柏葱茂，世称神林。山门面河临岸，上建戏台，下为砖券门洞，呈楼阁式。进了山门，东西原为看戏楼台，北面为仪门，系木构牌坊，斗拱层层叠架，飞檐左右排出，结构精妙，巧夺天工。坊上前书“平章百姓”，背书“协和万邦”，过去此处为下马坊，文武官员晋谒尧帝陵寝时，至此均须下马落轿。入仪门中院正中为献殿，面阔三间，高大敞朗，东西为配殿。献殿后有石阶13级，踏阶而上，原有正殿五间，现存搭建的碑廊，中竖“古帝尧陵”作为标志的石碑，与殿宇同为明代万历年间修造，两旁排列着元、明、清时代碑碣。中轴线两侧，各有厢房耳房，碑廊下石阶两旁，东西各有一院，正面留下砖券窑洞一排，原献殿东西的斋室12间以及神厨已毁，陵西守墓人组成的村落亦荒废了。 尧陵祠宇始建年代不详，据金代碑载，唐太宗李世民征战曾屯兵于此，祭扫帝尧。唐初改建陵园祠宇，并塑唐太宗像于配殿之中，宋、元、明、清历代修葺。传说尧死以后，万民悲痛，人们不约而同，从数里外的土丘上挖土背负到这沙石岩丘上来，于是掬土成山，留下此纯净黄土堆积的陵丘。相传献殿后13级石阶中的第七阶后有洞可通悬棺井穴。传说有人撬开阶石，找到洞口，用绳索缚鸡吊下，初则闻鸡叫声，待提绳而上时，却不见了鸡头，此后这无人再去探究。还说悬棺穴底，有清水潜流，登殿顶俯首侧耳，犹闻潺潺水声。陵东3里有下马庄，再东3里有上马台，传为尧往浮山巡察或避暑由此上马，回来时到下马庄下马步行，去尧庙祭拜其母，至今履迹可辨。过去尧陵由周围八村共管，官府减免其差徭，确保祀尧的香火费用，春秋二祭相沿不废，逢会唱戏，邻县乡民齐集。日寇入侵、战乱以后庙会废止，至今未复。 临汾尧庙导游词 篇3尧庙始建于西晋，距今有1700多年历史。旧址在汾河以西，，西晋元康年间迁至汾河东岸，唐高宗李治显庆三年(658年)，庙址由府城西南迁至城南现址。尧庙是一座集纳丰富历史文化和五千年文明史的国祖庙，俗称三圣庙，是中国专门纪念尧、舜、禹三位先祖的庙宇。尧在4000多年前就定都平阳，划定九州，形成中国最早的格局，平阳成为华夏文明最早的发祥地之一，素有华夏第一都之称。 龙凤之脉 尧宫甬道中间由龙凤图案刻制的中轴线叫“龙凤之脉”，从大门开始一直通到广运殿，长达300米。龙和凤均为尧时期的图腾，也是中华民族最古老的吉祥标志，这里的龙凤之脉就是中国最吉祥的龙凤通道。 文物雕塑 陈列于尧宫甬道两旁的器物是出土于陶寺文化遗址的,700年前我们祖先的生产方式，其中包括生产工具、生活用品、生活器具、以及礼仪用品和乐器等。这些文物石雕生动地展示了尧时期的生活和文化，使尧庙更具有历史实证和文化内涵。 仪门 “仪门”就是礼仪之门。古时拜谒和祭祀帝尧的帝王君臣及平民百姓，凡到此处，必须“整冠弹尘，端庄仪表”，然后恭恭敬敬的严肃前行。仪门门额上的“文明始祖”题词，是对帝尧创始文明政治的最高评价。仪门背面题词“光披四表”，原是清康熙帝为尧殿题写的门匾，意为尧的功德象日月光浑润泽四方万民。 五凤楼 “五凤楼”始建于唐乾封年间(公元666年)，是尧庙宫内历尽沧桑劫难而幸存的一座文物古建筑，系明清时其的建筑风格，为重檐歇山顶式，二层有边梯可上。 “五凤楼”亦称“光天阁”，意为帝尧之功德，光天下之明，兆万民之福。人们把尧与他共同开创基业的四位大臣誉为“五凤”，在尧庙筑楼经念，遂有“五凤楼”。此楼象征君臣团结，天下大治。唐以后历代筑城建殿时都设“五凤楼”，以示河清海宴，国泰民安。“五凤楼”下层三孔砖券门洞，直通“广运殿”。古代祭祀帝尧时，君主从中间步入，文武大臣从旁洞通行。 尧井台 井是人类文明进程中最伟大的发明之一。上古时期，人们都是择水而栖，沿河而居。尧“寻蚁造井”，人类就围井而居，改变了依赖河流而住的状况，遂有了村落、乡镇、城市，形成了人类最早的文明。至今人们把城市称为市井，把城市文化、城市文明称为市井文化、市井文明，把井看做为家，把远离家乡叫做“背井离乡”。这口井也被称为“天下第一井”。 尧宫古柏 尧井四周有四棵沧桑的古柏，西侧这两棵为“柏抑楸”和“柏抱槐”，即柏树中又长出一棵楸树和槐树。 柏抱楸，每年四五月间，柏枝丛中盛开红色楸花，游人无不称奇。柏抱槐据传是600多年前从西安慈恩寺移植而来，每逢夏初，柏树从中槐花盛开，芳香四溢，甚为可观。 东侧这两棵古柏，一棵叫“鸣鹿柏”，一棵叫“夜笑柏”。传说唐代在寝宫雕塑帝尧与夫人鹿仙女的圣橡时，突然跑来一对梅花鹿在柏树下欢蹦鸣叫，故称此树为“鸣鹿柏”，至今它的枝丫树杈，长相酷似梅花鹿角。 “夜笑柏”系古时一僧人从印度移植而来，昼伏夜长，树寿绵长，每年除夕夜晚，此柏便发出沙沙之声，颇似人的笑声，故称“夜笑柏”。 蟠龙图雕 镶在尧殿月台台阶上的这个“蟠龙图雕”，是根据1978年陶寺遗址出土的礼器“彩绘陶盘”上的蟠龙畋象放大制作的，这贴画蟠龙畋是我国最早的龙的图案，被称之为“天下第一龙”。龙型简洁古朴，龙嘴衔含稼禾，反映了人类对农业文明的追求与崇尚。 广运殿楹联 广运殿楹联是20__年尧宫大修之后，由尧都区区长宿青平所撰，著名书法家樊习一先生书写。对联以根祖为题，高度概括了尧对中华民族的重要贡献，突出了尧庙的根祖本色。 上联：“居平阳倚河汾深植民族之根”，意为尧定都平阳，依托黄河、汾河流域的优越条件，协和万邦，形成了统一的华夏民族，所以说，中华民族始于尧，尧都是民族根祖所在。 下联：“启文明定中华垂誉国家先祖”，意为尧钦定历法，创建文字，开凿水井，结束了原始生产方式，开始实现向文明过渡的历史转折，并创建了中华民族古老的国家管理形式，因而才有“中国之称始于尧”之说，尧被誉为国祖和文明先祖。 广运殿 “广运殿”亦称尧殿，是帝尧召见群臣的殿堂。殿宽9间，进深5间，周设围廊32间，内外共计77间，高达27米。广运殿取广以配天，运以配地之意，故曰“广运殿”。殿前彩楼两旁悬有“民无能名”四个大字，语出《论语。泰伯》，意思是说帝尧功德无量，人民简直不知道该用怎样的语言来赞颂他。尧与四位大臣的铜象是20__年元朋18日安放的。威仪祥慈的帝尧坐像高达5米，形象逼真朴实的四大臣圣像高达4.1米。 尧是五帝之一，姓伊祁，名放勋，13岁被封到陶地任职，15岁被封到唐地为唐侯，因而亦称陶唐氏。尧16岁被推为首领，在位90年，他定都平阳，划定九州，形成中国最早的格局;钦定历法，广凿水井，推进农耕，用古朴的科学推动了人类的进步;设立“华表木”“敢谏鼓”，实行禅让，首开民主政治之先河;教化民众，协和万邦，创尧天舜日之盛世。孔子赞尧曰：“唯天为大，唯尧则之”。帝尧高寿114岁而终，至今民间将高寿者亦称为“尧年”。 尧两侧与尧并称为“五凤”的四位大臣是：四岳，尧时期掌管山岳祭祀的官儿。后稷，是主掌农业的大臣。羲和，尧时期的天文学家和掌管历法的官儿。皋陶，尧时期任大理之职，是方管刑律的大臣，他执法如山，公正廉明，据说“画地为牢”就是他民明的。 广运殿为尧庙建筑群的主殿。该项目为国家级重点修复工程，建筑面积为2400余平米，工程造价为105万元(1983年造价)。建筑为清代无斗拱大木作建筑。由山西省古建筑保护研究所的资深古建筑专家冯冬青先生根据现状构件和历史资料，主持勘测、复原设计和工程技术指导。该项目修复设计时间为1983年6月-- 1987年7月。 寝宫 尧的寝宫始建于唐麟德年间(公元664年)，宫内供奉着帝尧与其夫人鹿仙女的塑像。传说帝尧定都平阳不久，去仙洞视察民情，巧遇鹿仙女，双方相爱，择日成婚。成婚之处就在鹿仙洞。成婚那夜，对面山峰红光照射，状如腊烛。此后，人们把帝尧与夫人分女成婚的山洞称之为“洞房”，世上才有了洞房花烛夜之说，所以华夏儿女反成婚之居皆称为“洞房”。 祭祖堂 中国人自古以来有崇拜祖先的美德，尧舜禹是中华民族共同的祖先，是伟大的先祖。尧庙祭祖堂是炎黄子孙祭祀先祖的殿堂，供奉着尧舜禹君臣后裔姓氏牌位，涵盖了千家姓大部分。在祭祖文化堂我们可以了解自己的先祖，知道自己的根脉，寻到血缘之根，精神之魂和根祖文化之源。 虞舜殿 舜殿的建筑风格是明清时期的模式，系重檐歇山顶式，殿高15.5米。殿内虞舜塑像高3.5米，打破了神化官化色彩，以人文先祖的形象进行了设计雕塑。尧在位70年时访到舜，考察三年后由舜辅政20年，禅让于舜，而后8年故世。舜又效仿帝尧，在老年将帝位禅让于禹。这就是中国历史上被千古颂传的“尧舜禅让”。 舜姓姚，名重华，属有虞氏，故称虞舜。舜接替尧位后，发展生产，兴修水利，减轻刑罚，广旋仁政，使四海宾服，国泰民安，将国家治理得政通人和，天下安乐，创建了千古颂扬的“尧天舜日”太平盛世。舜20岁时以孝闻名，30岁时尧举用他，50岁时代行天子政事，61岁接替尧登上帝位。登位39年到南方巡视，逝于苍梧境内，葬于江南九嶷山。 大禹殿 大禹殿建筑风格是明清时期的模式，系重檐歇山顶式，殿高15.5米。禹姓姒，名文命。尧任用鲧治理洪水，鲧采用拦挡堵截的办法治理，结果没有成功，被流放羽山而死。舜推荐禹治水。禹受命后劳苦身躯，精心治理，治水十三年，足迹遍九州，三过家门而不入，先后开通了九座大山，疏浚了九大湖泽，疏导了九条大河，划定了九州地界，终于完成了平治水土的大业，加而受到老百姓的热爱。于是帝舜便将其位禅让于禹。舜逝世，禹即天子位，国号为夏后，故禹也被儿为夏禹。殿内大禹塑像高3.5米，取材于“大禹治水”，突出了先祖对农业水利的贡献，塑像古朴自然，与我们更加贴近，充分体现了尧庙的祖庙特征。 中华帝尧钟 钟楼内悬挂的在华帝尧钟，重达21吨，喻指铸造于21世纪;高366公分，象征农历一年366天;直径240公分，象征一年24个节令;钟齿为12个，寓意一年12个月;钟面镶铸着后羿射日，大禹治水，羲和制历，皋陶神判，和合议政，藜羹鹿裘，历山访贤，禅让虞舜八幅图案，展示着丰厚了尧文化底蕴，歌颂了“三圣”的业绩功德，赞誉了钟鸣鼎盛的尧天舜日。 “尧典壁”廊 “尧典壁”位于尧宫东侧，南北长达300米，高3.3米，镶有碑石380块，镌刻3万余字，是全国第一座雕刻尧、舜、禹历史文献的纪念壁，历史文化价值极高。碑文内容由南往北伸展，图文并茂，共分为13辑， 即：《尚书。尧典》、《尧典图说》、《尚书。舜典》、《舜典图说》、《尚书。大禹谟》、《大禹谟图说》、《尚书。禹贡》、《禹贡图说》、《帝王赞尧》、《先贤咏尧》、《本纪尧传》、《典籍评尧》、《史载记尧》等。“尧典壁”是一部三圣功绩的精化史，“尧典壁廊”被誉为“天下第一廊”。 天下第一鼓 “中华帝尧鼓”称之为天下第一鼓。迄今为止，天下还没有比它大的鼓。这面鼓直径3.11米，高1.2米，鼓的两面均是整张牛皮而著，20__年被载入吉尼斯世界记录。 帝尧“敢谏鼓”，广开言路，开张圣听，纳谏除弊，开创了民主理政之先河，带来了“尧天舜日”之盛世。置鼓于尧庙，就是要弘扬帝尧精神，传承文明，恢弘正气。此鼓是襄汾县红跃鼓厂承制。厂长卫红跃历经半载，寻遍全国十三个省市才觅到了这两张牛皮，制成了这面象征先祖民主精神的大鼓。 华 表 尧殿两侧木桩，是尧设立的“诽谤木”，亦称华表木。《辞海》记载：“华表，亦称桓表，古代用以表示王者纳谏或指路的木桩”。尧是开启华夏文明的贤明君主，设立诽谤木正是要博纳众谏，广泛听取民众意见，以便改进朝政。为了打消大家的顾忌，达到言者无罪，畅所欲言，就特意树起了这一诽谤木。可以说，“诽谤木”是体现尧民主政治的初评。随着时代的推移，诽谤木演变为雕刻精细的石柱，形成蟠龙缠绕的华表，但已失去帝尧设立诽谤木的本意，成了历代帝王皇宫的装饰物和帝王尊严的标志物。 华表为尧所创，始于尧都。20__年我们在尧都广场筑建了“尧都华表”，高达21米，寓意21世纪;柱身蟠曲着中华世纪龙，苍劲威武，顶端的冲天吼，生机勃勃，预示着中华民族的伟大复兴;底座有长城图案和黄河壶口瀑布图案，象征着中华民族源远流长，社稷永固，为中国第一华表。 千家姓纪念壁 在尧宫门前的广场西侧，有高达6.6米，长达100米的千家姓纪念壁，以长城造型，花岗岩构筑，气势宏伟，可谓天下之最。纪念壁镌刻1566个姓氏，以中国传统书法真、草、隶、篆四种字体雕刻，并镶有“华夏子孙，同根共祖”八个显赫大字。纪念壁前的“叶落归根”大型铜雕，象征着中华民族源远根深，有着浓厚的血脉联系。 中国地形立体图 位于华表广场的中国地形立体图，是按十亿分之一的比例微缩制作，面积为9600平米，分为四种色区，山川、河流、高原、平原、湖泊、岛屿等立体展现，新颖别致，气势壮观，可谓全国最大的中国地形立体微缩景观。 二十四节气图 尧任命羲和、羲仲等人观察天象，根据日月星辰运行规律，制定了历法，一年以366天为一周期，剩下的天数用润月的办法解决，这就是农历的来历。尧钦定历法，有序了农业，提高了生产力，推动了人类文明进步，因而在宫前尧门通道两侧刻制了象征日月星辰的石雕和二十四节气日历图，使帝尧功绩得以形象展现，国祖尧庙更具文化特色。 临汾尧庙导游词 篇4古帝尧庙位于临汾市南约三公里处。尧庙汉魏时代始建于汾西古平阳城，晋惠帝元康年间徙尧庙于汾东原上。唐显庆三年(658)徙庙于城南今址。历代修葺，屡遭战乱，今存山门、五凤楼、广运殿、寝宫等，棂星门、仪门已毁。 山门正中门额嵌“古帝尧庙”四字，旁门东刻“就日”，西镌“瞻云”，意为人们依就如葵花向太阳，万民瞻望如五谷盼甘霖。山门以南两旁栽植柏树，原东西厢房百余间无存，仅有零散竖立着的历代碑石。西边新迁建琉璃九龙壁一座，面东。正面耸立五凤楼，雄奇俊秀，原名光天阁，意为尧舜光天下之明。楼下有三个砖券门洞直通中院，楼上重檐之下，围设围廊门台，登高望远，宫内外景物尽收眼底。顶上脊饰陶俑31个，人物个个栩栩如生。五凤和鸣象征天降仁君，君臣团结，河清海宴，国泰民安。穿过五凤楼，便是尧井亭，亭形六角，周设围栏，井深十米，上加篷盖，传说为帝尧亲凿，实为启示后人饮水思源，不忘帝尧功德。原来两侧的獬羊亭、冥荚亭今已无存。现存对称的四株古柏，一日柏抱楸、二日柏抱槐、翠柏丛中紫红楸花、洁白槐花盛开。三日鸣鹿柏，四日夜笑柏，传说曾有梅花鹿来树下嘶鸣。夜笑柏或说原产于印度，每年腊月三十日夜，树上沙沙作响，似笑语声，故名。 再后的广运殿高大雄伟，为祭祀帝尧之主殿。1987年政府拨款大落架重修，庙貌崭新。殿基高2米，长五条压边。殿前月台宽阔可容数百人参祭。月台前正中砌滚砖成坡，边砌石条，中心嵌有二龙戏珠青石巨雕，除皇宫外，非一般庙殿所有。殿高27米，宽九间，进深五间，周设围廊32间，内外共计77间，近似故宫太和殿。该殿重檐歇山顶，绿色琉璃瓦饰边，脊立五彩琉璃脊饰，龙飞凤舞，金碧辉煌。殿内竖立12根18米高的通天柱子，每根柱下都有石雕柱础，水磨青石，光洁可鉴。浮雕麒麟、狮、象、花卉、禽兽，形象逼真，刻工精细，具有较高的艺术价值。殿中砖木神龛中，彩塑帝尧圣像，高2.8米，身着九章服，头戴平天冠，帝王威仪，神采奕奕，旁立四男侍，龛台下四大臣分立两旁，传说左为方季、五满，右为单非、禾覃。龛前居中竖立两根盘龙大往，彩塑缠柱盘龙，威严可怖，名曰虬柱。殿前正中上方有二层彩楼，与大殿一体构成，新颖别致。殿内靠前墙两分各有悬空木梯可上彩楼。登楼眺望，尧宫景色，一览无余。广运殿取广以配天，运以配地之意，殿前彩楼两旁悬有“民无能名”四个大字。“民无能名”依张守节《谥法解》为：“民无能名曰神。”后院为帝尧寝宫，宫内彩塑帝尧及其夫人像。寝殿两旁新修长廊东西各20间，供展览参观之用。北魏诏祀帝尧于平阳，以后历朝“谨按祀典，诸前代帝王，三年一祭，其时以春之仲月，其地以当时所居国邑，祭祀……唐尧于平阳府”。元初大规模重建，“为地上百亩，为屋四百间”，忽必烈帝诏赐其宫曰“光宅之宫”，殿日“文思之殿”，门曰“宾穆之门”，并赐白金200两，良田15顷，为赡宫香火费。明代扩建为三圣(尧舜禹)庙，清康熙帝亲临平阳诏令重修尧庙，建万寿行官，御笔题匾，尧殿曰：光披四表;舜殿曰：浚哲文明;禹殿曰：万世永赖。诺示每年三月十八日起庙会，会期一月，至四月二十八日祭尧。届时官绅侨民隆重祭祀，三台唱戏，庙会热闹非凡。战乱以后，庙会废止。令人遗憾的是，1997年，广运殿被人故意纵火焚烧，火灭殿塌，造成难以挽回的损失。广运殿已于1999年复建。 古帝尧陵位于临汾市东，郭行乡北郊村西，距市区35公里。 尧陵依山傍水，建在山脚下一个半岛形的岩石丘上，涝河环绕，岩崖下潺潺西流，陵丘高50米，周3O0米，古柏葱茂，世称神林。山门面河临岸，上建戏台，下为砖券门洞，呈楼阁式。进了山门，东西原为看戏楼台，北面为仪门，系木构牌坊，斗拱层层叠架，飞檐左右排出，结构精妙，巧夺天工。坊上前书“平章百姓”，背书“协和万邦”，过去此处为下马坊，文武官员晋谒尧帝陵寝时，至此均须下马落轿。入仪门中院正中为献殿，面阔三间，高大敞朗，东西为配殿。献殿后有石阶13级，踏阶而上，原有正殿五间，现存搭建的碑廊，中竖“古帝尧陵”作为标志的石碑，与殿宇同为明代万历年间修造，两旁排列着元、明、清时代碑碣。中轴线两侧，各有厢房耳房，碑廊下石阶两旁，东西各有一院，正面留下砖券窑洞一排，原献殿东西的斋室12间以及神厨已毁，陵西守墓人组成的村落亦荒废了。 尧陵祠宇始建年代不详，据金代碑载，唐太宗李世民征战曾屯兵于此，祭扫帝尧。唐初改建陵园祠宇，并塑唐太宗像于配殿之中，宋、元、明、清历代修葺。传说尧死以后，万民悲痛，人们不约而同，从数里外的土丘上挖土背负到这沙石岩丘上来，于是掬土成山，留下此纯净黄土堆积的陵丘。相传献殿后13级石阶中的第七阶后有洞可通悬棺井穴。传说有人撬开阶石，找到洞口，用绳索缚鸡吊下，初则闻鸡叫声，待提绳而上时，却不见了鸡头，此后这无人再去探究。还说悬棺穴底，有清水潜流，登殿顶俯首侧耳，犹闻潺潺水声。陵东3里有下马庄，再东3里有上马台，传为尧往浮山巡察或避暑由此上马，回来时到下马庄下马步行，去尧庙祭拜其母，至今履迹可辨。过去尧陵由周围八村共管，官府减免其差徭，确保祀尧的香火费用，春秋二祭相沿不废，逢会唱戏，邻县乡民齐集。日寇入侵、战乱以后庙会废止，至今未复。 临汾尧庙导游词 篇5临汾市是山西主要的粮食产区，该区境内有雄伟高峻的山峰，清澈奔涌的泉水，稀有珍贵的动植物。在普遍缺水的黄土高原上，临汾市的绿化成果相当可观，因而又有“花果城”之称，并正越来越受到中外游人的青睐。 到临汾旅游主要是为了欣赏距其165公里处的壶口瀑布，至于临汾市本身的景点则是以历史文化遗迹为主。临汾是我国历史上第一个有文字记载的帝王——尧的都城，由此可知，在很久以前，这里就是人类生息劳作的场所。 临汾景点以临汾为中心向四周呈现辐射状。洪洞县的霍山广胜寺，其飞虹塔是中国最高的琉璃宝塔;古大槐树，是明初山西向中原大移民的集合出发地;明代监狱(又称苏三监狱)是中国现存最早的古代县级衙狱;襄汾的丁村文化遗址，以发掘出旧石器时代人类化石而闻名中外;丁村民俗博物馆，原为典型的明、清民居，现为展示晋南民俗文化的场所;侯马的晋国遗址，是春秋时代晋国都城新田所在地;尧庙和尧陵的存在，足以证实尧都平阳之说。 临汾尧庙导游词 篇610月16日一大早，我们一行七人，就在导游的带领下赶往尧庙。尧庙坐落在临汾市区南三公里处。从停车场步行到山门，只见门额正中镶嵌着“古帝尧庙”四字，旁门东刻“就日”，西镌“瞻云”，这两个词出自《史记》：“就之如日，望之如云”，意为人们依附尧帝如葵花向太阳，万民瞻望尧帝如五谷盼甘霖。 从山门走入，里面是石刻的二十四节气。《史记》记载：尧王命羲氏、和氏勤勉地顺应昊大的天象，推算日月星辰的运行，制定了历法，推演出了二十四节气，设置了闰月，这就是农历的前身。直到四千多年后的今天，农历仍然有着指导农业的现实意义，这是尧帝最最卓越的贡献之一。 山门往里约百十米，为仪门。仪门高大而庄严，这是古代帝王朝拜尧庙时整理衣冠的地方。“人而无仪，不死何为?”人怎么能不讲礼仪呢?我也郑重地掸了掸身上的尘土，跨过了仪门。从仪门一直往里，过五凤楼到广运殿，是一条长长的甬道，甬道正中是连续的龙凤图案。导游姑娘说，龙凤代表吉祥，让我们都在图案上走走。走在宽阔的甬道上，我却有点不忍踩踏这中华民族曾经的伟大图腾，尧帝在位期间，融合了数不清的有各自图腾崇拜的小氏族，实现了空前的伟大融合。然后把这些部族各自的图腾进行组合，才有了“龙”和“凤”。这些氏族在尧帝的统一领导下，和谐相处，平等相待。甬道的两边展示的是襄汾丁村出土的尧时期陶器，当然，其中不少是仿制品，也是为了让当代人更多地了解旧石器晚期的人们的生产、生活状况。 快到五凤楼下时，一块篆刻的石头吸引了我，凭借仅认识的几个篆字，我居然认出上面镌刻的红字是《击壤歌》：“日出而作，日入而息。凿井而饮，耕田而食。帝力于我何有哉!”传说尧帝在位时期，有八、九十岁的老人在田间击壤而歌，歌词反映出的是当时人们的太平、和谐的生活，他们过得无忧无虑：太阳出来就干活，太阳落下就回家休息，开凿井泉就有水饮，耕种田地就有饭吃。他们自食其力，自得其乐，似乎帝王的统治跟他们没什么关系。其实，这首诗恰恰反映出帝尧确实是一代圣君，他不派赋税、不增徭役、不逞威、不扰民。通过无为而治，让人们感觉不到他的存在，而又都过上了自给自足、恬静安逸、陶然而乐的日子。难怪许多氏族都愿意依附尧帝、追随尧帝，这首歌被收入了《诗经》。 五凤楼已经近在眼前了，仰望雄伟的无法那个楼，能看到楼顶有直立的陶人三十多个，陶狮为中。据说，尧王常同他的四个大臣登楼远眺，而当时人们又把他和他的四位大臣喻为“五凤”，故名“五凤楼”。尧虽是部落首领，可他从不以首领自居，依然过着平凡而普通的生活。《韩非子》有载：尧王住的茅草屋，吃的野菜根，不加调味，用土缸盛饮水，粗布仅掩身体，冬天披鹿皮，衣履不到破烂不堪不换。这大概也是他不仅受帝王追崇，也被后代民众景仰的原因。 五凤楼的后面有尧井亭。这是一个六角星楼阁小亭，小巧玲珑。它始建于东晋太宁年间，距今已有一千六百年。亭中水井据说是尧王为了民众不受河川水量限制亲手所掘。相传尧井下可通海，至今井下泉水汩汩，清冽可饮。一口小小的水井，同样能看出处处为民众着想，把民众的需要当作自己努力的方向。尧井亭旁边是距今已1600余年的汉代奇树柏抱槐、柏抱楸、鸣鹿柏、夜笑柏等一些奇树。 尧井亭后面的尧宫，也叫广运殿。它是尧王召见众臣共商国事的地方，是庙内的主体建筑。殿宇高大宽敞。导游姑娘说这是唐代建筑，距今已有一千三百多年历史。大殿内，有一尊高二米八的尧王像，两边站着两位宰相和两位阁老。他们一个个慈眉善目，神态安详。尧宫前左右各立一根木柱，这就是著名的诋毁木，是当年尧王为广开言路，博纳众谏，听取民众意见。为了打消大家的顾忌，达到言者无罪，畅所欲言，就特意树起了这两根诋毁木。随着时代的推移，诋毁木演变成了雕刻精美的石柱，形成蟠龙缠绕的华表，成了历代帝王皇宫的'装饰物和帝王尊严的标志物，而一个个鲜活的柬臣形象，却永远载入了史册。邹忌用自己的亲历的“美我事件”告诫齐王，对自己说好话的人一定是有所顾虑，一定要广开言路，才能多听到批评意见;而唐代的魏征敢于直言进谏，被唐太宗称作是一面镜子。这些历史人物和事件，难道仅仅是在警示封建时代的帝王?不也是在提醒我们每一个来此的游客要听得进忠言，交得起诤友吗? 在广运殿左右分别是舜帝和禹帝的宫殿。尧到了晚年，问众人，谁可以顺应天时继承帝位?大家先向他推荐他的儿子丹朱，尧认为丹朱愚顽又喜欢争功，不可以担当重任;大家又向他推荐共工，尧认为共工善于言辞，用意斜僻，表面恭敬，罪恶滔天，更不能用。最后他让四方诸侯推荐隐没在乡间的人才，诸侯们都向他推荐舜。舜用孝义来对待不守德义的盲人父亲、凶狠毒辣的继母和狂傲无理的弟弟，使他们上进从善，不至于奸恶。尧于是就把两个女儿嫁给舜，让她们观察舜的言行。经过二十年砺利，他才把帝位禅让给了舜。任人不唯亲，以德能取之。一切为部落联盟利益着想，没有任何私心杂念。这就是后人心中光明磊落的尧帝。我不知道后世帝王参拜尧庙的时候，有没有对着尧帝的塑像扪心自问，有没有为自己争权夺利、贪图享受而惭愧;也不知道今天来参拜尧庙的人中有多少是为了救赎灵魂而来。站立在伟大的尧帝和舜帝面前，一切灵魂都是自私的、渺小的，是需要忏悔的。 广运殿后是寝宫，内塑尧王和夫人像。据说尧王的夫人叫鹿仙女，生于姑射山中。传说，尧王出访姑射山，差点被蟒蛇伤害，多亏鹿仙女相救。于是，二人一见钟情，定了终身。不久，他们以鹿仙女洞为新房，举行婚礼。当晚，对面的蜡烛山上光华耀眼，照得仙洞如同白昼一般。后来人们便称新婚之夜为“洞房花烛夜。”婚后，尧忙于治理部落事务，鹿仙女经常在射姑山关照牧马场。第二年，鹿仙女生了一个男孩，尧很高兴，为他起名为“朱”。 从寝宫出来，我们又分别去了安放着被称为“天下第一鼓”的鼓楼和“华帝尧钟”的钟楼。鼓名“敢谏鼓”，同诋毁木一样，旨在张扬尧帝广开言路，开张圣听，纳谏除弊，开创了民主理政之先河的功绩。鼓用整张牛皮做面，直径有三米多，据说被载入了吉尼斯世界纪录。钟高366厘米，直径240厘米，由12个齿组成。分别喻一年有366天、24个节气、12个月。旨在赞誉尧帝缔造钟鸣鼎盛的尧天圣日。 尧庙的最后一个经典是“尧典壁”，伫立在300米的“尧典壁”前，我的思绪仿佛穿越了历史的时空，聆听着一代代帝王，一个个名人、学者对尧帝丰功伟绩的赞颂。“千古如天日，巍巍与善功。”没有哪颗星星的光芒可以和太阳相比，没有谁的功绩可以超越尧帝。 尧帝——每一个后人都需仰望而见。 临汾尧庙导游词 篇7Yao temple was built in the Western Jin Dynasty with a history of more than 1700 years. The former site is in the west of Fenhe River. It was moved to the East Bank of Fenhe River in Yuankang period of Western Jin Dynasty. In 658, the site of the temple was moved from the southwest of Fucheng to the current site in the south of the city. Yao temple is a national ancestral temple with rich history, culture and 5000 years of civilization. It is commonly known as Sansheng temple. It is a temple dedicated to commemorating the three ancestors of Yao, Shun and Yu in China. More than 4000 years ago, Yao established the capital of Pingyang and designated nine states, forming the earliest pattern in China. Pingyang became one of the earliest birthplaces of Chinese civilization, known as the first capital of China. The pulse of dragon and Phoenix The central axis of Yao palace corridor, which is carved with dragon and phoenix patterns, is called "vein of dragon and phoenix". It runs from the gate to Guangyun hall, which is 300 meters long. Both dragon and Phoenix are totems of the Yao Dynasty, and they are also the oldest auspicious symbols of the Chinese nation. The vein of dragon and Phoenix here is the most auspicious channel of dragon and Phoenix in China. Cultural relic sculpture The artifacts displayed on both sides of the Yaogong corridor are unearthed from the Taosi cultural site. 700 years ago, our ancestors used the production methods, including production tools, daily necessities, daily utensils, ceremonial supplies and musical instruments. These stone carvings vividly show the life and culture of the Yao period, making the Yao Temple more historical and cultural connotation. secondary gate to an official residence "Yimen" is the door of etiquette. In ancient times, the emperors, ministers and common people who paid homage to and offered sacrifices to Emperor Yao had to be "dignified and dignified" when they came here. The inscription of "ancestor of civilization" on the forehead of Yimen is the highest evaluation of Emperor Yao's founding of civilized politics. The inscription "Guang PI Si Biao" on the back of the gate was originally a plaque inscribed by Emperor Kangxi of Qing Dynasty for Yao hall, which means that Yao's merits and virtues are like the sun and the moon moistening all the people. Wufeng building "Wufenglou" was built in the Qianfeng period of Tang Dynasty (666 AD). It is an ancient cultural relic building survived the vicissitudes of the Yao temple palace. It is the architectural style of the Ming and Qing Dynasties. It has a double eaves and a side ladder on the second floor. "Wufenglou", also known as "Guangtian Pavilion", means the merits of Emperor Yao, the brightness of the world and the blessing of all people. People regard Yao and his four ministers as "five phoenixes". They built a building in Yao temple, and then there was "five phoenixes building". This building symbolizes the unity of monarchs and ministers and the great rule of the world. After the Tang Dynasty, the "five Phoenix Tower" was set up when cities and halls were built to show that the river was clear and the sea was banquet, and the country was peaceful and the people were safe. "Wufenglou" lower three hole brick ticket door, through the "Guangyun hall". In ancient times, when offering sacrifices to Emperor Yao, the monarch walked in from the middle and the Minister of culture and military passed through the side cave. Yaojingtai Well is one of the greatest inventions in the process of human civilization. In ancient times, people lived in the water and along the river. Yao's "looking for ants to build wells" changed the situation of relying on rivers. As a result, there were villages, towns and cities, forming the earliest human civilization. Up to now, people call cities as marketplace, urban culture and urban civilization as marketplace culture and civilization, regard wells as home, and call leaving hometown far away from home. This well is also known as "the first well in the world". Ancient cypress in Yaogong There are four ancient cypresses around Yaojing, and the two on the west side are "Bai Yiluo" and "Bai baohuai", that is, another catalpa tree and Sophora tree grow out of the cypress. In April and may every year, red catalpa flowers bloom among the branches of cypress trees, which is a wonder to visitors. It is said that Bo baohuai was transplanted from Ci'en Temple in Xi'an more than 600 years ago. At the beginning of summer, the cypress trees are in full bloom and fragrant. There are two ancient cypresses on the east side, one is called "Minglu cypress" and the other is called "Yexiao cypress". It is said that in the Tang Dynasty, when Emperor Yao and his wife deer fairy's sacred oak were sculpted in the palace, a pair of Sika Deer suddenly came running and singing under the cypress tree. Therefore, this tree is called "Minglu cypress". Up to now, its branches look like plum deer antlers. "Yexiaobai" was transplanted from India by a monk in ancient times. It has a long day and a long night. Every new year's Eve, the cypress makes a rustling sound, which is similar to human laughter, so it is called "yexiaobai". Dragon carving The "Dragon carving" inlaid on the steps of the platform of Yao hall is based on the enlarged image of the dragon on the "painted pottery plate" unearthed from the Taosi site in 1978. This pasted Dragon carving is the earliest dragon pattern in China, known as "the first dragon in the world". The shape of dragon is simple and simple, and the mouth of dragon contains grain, which reflects the pursuit and admiration of human beings for agricultural civilization. Couplets of Guangyun Hall The couplets of Guangyun hall were written by Su Qingping, the head of Yaodu District, after the overhaul of Yao palace in 20xx. They were written by Mr. Fan Xiyi, a famous calligrapher. The couplet, with the title of GENZU, highly summarizes Yao's important contribution to the Chinese nation and highlights the GENZU nature of Yao temple. The first couplet: "living in Pingyang, leaning against the river, and deeply rooted in the roots of the nation" means that Yao established his capital in Pingyang, relying on the superior conditions of the Yellow River and Fenhe River Basin, coordinated with all nations, and formed a unified Chinese nation. Therefore, the Chinese nation began with Yao, and Yao was the origin of the nation. The second couplet: "Qiwen clearly established China as the ancestor of the country", which means that Yao Qin established the calendar, created characters, dug wells, ended the original mode of production, began to realize the historical transition to civilization, and created the ancient form of state management of the Chinese nation. Therefore, there is the saying that "the name of China began with Yao", and Yao is known as the ancestor of the country and the ancestor of civilization. Guangyun Hall Guangyun hall, also known as Yao hall, is the hall where Emperor Yao summoned his ministers. The hall is 9 in width and 5 in depth, with 32 corridors around it, 77 inside and outside, and 27 meters high. Guangyun hall is called "Guangyun hall" because it means to match heaven and land. On both sides of the colorful building in front of the hall, there are four big characters: "the name of the people's incompetence", which is called "the Analects of Confucius". "Taibo" means that Emperor Yao has great merits, and the people simply don't know how to praise him. The bronze statue of Yao and the four ministers was placed by Yuanpeng on the 18th of 20xx. The statue of Emperor Yao is as high as 5 meters, and the statue of four ministers is as high as 4.1 meters. Yao was one of the five emperors. His surname was Yiqi and his name was Fangxun. At the age of 13, he was granted a post in Taodi, and at the age of 15, he was granted the title of Marquis of Tang, so he was also called taotang family. Yao was promoted to be the leader at the age of 16. After 90 years in office, he established the capital of Pingyang and designated nine states, forming the earliest pattern in China; he established the calendar, extensively dug wells, promoted farming, and promoted the progress of human beings with ancient science; he established "Huabiao Mu" and "dare to admonish drum", implemented abdication, and pioneered democratic politics; he enlightened the people, coordinated with all nations, and created a prosperous age of Yao, Tian, Shun and RI. Confucius praised Yao, saying: "only heaven is great, only Yao is.". Emperor Yao died at the age of 114. So far, people call him "the year of Yao". The four ministers on both sides of Yao and Yao were called "five phoenixes": Si Yue, the officials in charge of mountain sacrifice in Yao period. Houji was the minister in charge of agriculture. Xihe was an astronomer and an official in charge of the calendar in Yao Dynasty. Gao Tao, who was appointed as Dali in the Yao Dynasty, was a minister in charge of criminal law. He was a law enforcer and was fair and honest. It is said that "painting the land as a prison" was his people's idea. Guangyun hall is the main hall of Yao temple complex. The project is a national key restoration project with a construction area of more than 2400 square meters and a construction cost of 1.05 million yuan (1983 cost). The building is a large wooden building without brackets in Qing Dynasty. Mr. Feng Dongqing, a senior expert of Shanxi Institute of ancient architecture protection, presided over the survey, restoration design and engineering technical guidance according to the current components and historical data. The design period of the project is from June 1983 to July 1987. Bedroom Yao's palace was built in the reign of emperor Linde of Tang Dynasty (664 AD). There are statues of Emperor Yao and his wife, the deer fairy. It is said that not long after Emperor Yao's capital was set in Pingyang, he went to the fairy cave to inspect the people's feelings and met the deer fairy. They fell in love and got married. The place where they got married was in Luxian cave. On the night of marriage, the mountain peak on the opposite side was red, like a candle. Since then, people called the cave where Emperor Yao and his wife got married separately as "bridal chamber", and there was a saying that the bridal chamber was a night of flowers and candles in the world. Therefore, the houses where Chinese people got married were all called "bridal chamber". Ancestor worship Hall Chinese people have the virtue of worshiping their ancestors since ancient times. Yao, Shun and Yu are the common ancestors of the Chinese nation and the great ancestors. The ancestral hall of Yao temple is the hall where the Chinese people worship their ancestors. It is dedicated to the tablets of surnames of the descendants of Emperor Yao, Shun and Yu, covering most of the thousands of surnames. In the cultural hall of ancestor worship, we can understand our ancestors, know our roots, and find the roots of blood, the soul of spirit, and the source of ancestor culture. Yushun Hall The architectural style of Shun hall is the pattern of Ming and Qing Dynasties. It is a double eaves Xieshan style with a height of 15.5 meters. In the hall, the statue of Yushun is 3.5 meters high, which breaks the color of deification and officialdom, and is designed and sculpted with the image of human ancestors. Yao visited Shun when he was in power for 70 years. After three years of investigation, Shun assisted the government for 20 years, abdicated to shun, and died eight years later. Shun followed Emperor Yao and abdicated the throne to Yu in his old age. This is the "abdication of Yao and Shun" in Chinese history. The surname of Shun is Yao, and his name is Chonghua. He belongs to the Yu family, so he is called Yushun. After taking over the throne of Yao, Shun developed production, built water conservancy, reduced punishment, widely promoted benevolent government, made the country peaceful and peaceful, and managed the country in a peaceful and prosperous age. Shun was famous for his filial piety at the age of 20. At the age of 30, Yao used him. At the age of 50, he was the emperor's official. At the age of 61, he succeeded Yao to the throne of God. When he ascended the throne for 39 years, he visited the South and died in Cangwu. He was buried in Jiuyi mountain in the south of the Yangtze River. Dayu Hall The architectural style of Dayu hall is the pattern of the Ming and Qing Dynasties. It is a double eaves Xieshan style with a height of 15.5 meters. The surname of Yu is Si, and his name is Wenming. Yao appointed him to control the flood, and he used the method of blocking to control the flood. As a result, he failed and was exiled to Yushan and died. Shun recommended Yu for flood control. After being ordered, Yu worked hard and managed the water for 13 years. He traveled all over Kyushu and never entered. He successively opened nine mountains, dredged nine lakes, dredged nine rivers, and delimited the boundaries of Kyushu. Finally, he completed the great cause of controlling the soil and water, and was loved by the common people. So Emperor Shun abdicated his position to Yu. When Shun died, Yu was the son of heaven, and his name was Xia Hou, so Yu was also called Xia Yu. The statue of Dayu in the hall is 3.5 meters high, which is based on "Dayu's flood control", highlighting the ancestors' contribution to agricultural water conservancy. The statue is simple and natural, closer to us, and fully reflects the characteristics of the ancestral temple of Yao temple. Chinese Emperor Yao bell The huadiyao bell, weighing 21 tons, is hung in the tower, which means it was cast in the 21st century. It is 366 cm high, symbolizing 366 days in the lunar calendar. It is 240 cm in diameter, symbolizing 24 festivals in a year. It has 12 teeth, implying 12 months in a year; The clock face is inlaid with eight patterns: Houyi shooting the sun, Dayu controlling the flood, Xihe making the calendar, gaotao divine judgment, hehe discussing politics, Ligeng Luqiu, Lishan visiting the sages, abdicating Yushun. It shows rich Yao culture, praises the achievements and virtues of the "three saints", and praises the prosperous Yao Tianshun day. "Yaodianbi" corridor "Yao Dian wall" is located in the east of Yao palace. It is 300 meters long from north to South and 3.3 meters high. It is inlaid with 380 steles and engraved with more than 30000 characters. It is the first memorial wall carved with historical documents of Yao, Shun and Yu in China. It has high historical and cultural value. The contents of the inscriptions extend from south to north, with both pictures and texts. They are divided into 13 parts, namely: Shangshu. Yao Dian, Yao Dian Tu Shuo, Shang Shu. Shun Dian, Shun Dian Tu Shuo, Shang Shu. Dayu Mo, Dayu MOTU Shuo, Shangshu. Yu Gong, Yu Gong Tu Shuo, Emperor praising Yao, sages chanting Yao, biography of Yao in Benji, comments on Yao in classics and records of Yao in shizai, etc. "Yaodianbi" is a refined history of the achievements of the three sages, "yaodianbi corridor" is known as "the first corridor in the world". The best drum in the world "Chinese Emperor Yao drum" is called the first drum in the world. So far, there is no drum bigger than it. The drum is 3.11 meters in diameter and 1.2 meters in height. Both sides of the drum are made of cow hide. It was recorded in the Guinness Book of world records in 20xx. Emperor Yao "dare to admonish the drum", speak widely, listen to the sage, accept admonition to eliminate the disadvantages, created the precedent of democratic administration, and brought the flourishing age of "Emperor Yao and Emperor Shun". To set drums in the Yao temple is to carry forward the spirit of Emperor Yao, inherit civilization and develop healthy atmosphere. This drum is made by Xiangfen Hongyue drum factory. Factory director Wei Hongyue spent half a year searching all over the country before he found these two pieces of cowhide and made this drum which symbolizes the democratic spirit of our ancestors. ornamental column The wooden piles on both sides of Yao hall are the "defamation wood" set up by Yao, also known as Huabiao wood. "Cihai" records: "Huabiao, also known as huanbiao, is a wooden post used in ancient times to express the king's advice or direction.". Yao was a wise monarch who started the Chinese civilization. The purpose of setting up the slander wood was to solicit public opinions and listen to the opinions of the people, so as to improve the government. In order to get rid of everyone's scruples and achieve the goal that the speaker is not guilty and speaks freely, we set up this libel wood specially. It can be said that "defamatory wood" is a preliminary evaluation of Yao's democratic politics. With the development of the times, defamation wood evolved into fine carved stone columns, forming a magnificent watch wrapped with dragons. However, it has lost the original intention of Emperor Yao to set up defamation wood, and has become an ornament of emperors' palaces and a symbol of emperors' dignity. Huabiao was created by Yao and began in the capital of Yao. In 20xx, we built a "Yaodu Huabiao" in Yaodu square, which is 21 meters high, implying the 21st century; the column body is curled with the Chinese century dragon, vigorous and powerful; the roar at the top indicates the great rejuvenation of the Chinese nation; the base has the pattern of the great wall and the Hukou waterfall of the Yellow River, symbolizing the long history of the Chinese nation and the eternal stability of the country, which is the first Huabiao in China. Thousand family name memorial wall On the west side of the square in front of the gate of the Yao palace, there is a 6.6-meter-high, 100 meter long memorial wall of the thousand surnames, which is shaped like the great wall and constructed of granite. It is the most magnificent in the world. The commemorative wall is engraved with 1566 surnames, carved in four traditional Chinese calligraphy styles of Zhen, Cao, Li and Zhuan, and inlaid with eight prominent characters of "Chinese descendants, the same root, the same ancestor". In front of the memorial wall, the large-scale bronze sculpture of "fallen leaves returning to their roots" symbolizes that the Chinese nation is far-reaching and deeply rooted, and has strong blood ties. Stereoscopic topographic map of China Located in Huabiao square, the three-dimensional map of China's terrain is produced at a scale of one billionth. It covers an area of 9600 square meters and is divided into four color areas. The three-dimensional display of mountains, rivers, plateaus, plains, lakes and islands is novel and spectacular. It can be called the largest three-dimensional miniature landscape of China's terrain in China. Chart of 24 solar terms Yao appointed Xihe, Xizhong and others to observe the astronomical phenomena. According to the law of the sun, moon and stars, he formulated the calendar. A year takes 366 days as a cycle, and the remaining days are solved by moistening the moon. This is the origin of the lunar calendar. Yao's calendar ordered agriculture, improved productivity, and promoted the progress of human civilization. Therefore, stone carvings symbolizing the sun, moon and stars and calendar maps of 24 solar terms were carved on both sides of the Yaomen passageway in front of the palace, which vividly displayed Emperor Yao's achievements and made the ancestral Yao Temple more cultural. 临汾尧庙导游词 篇8Ancient emperor Yao temple is located about three kilometers south of Linfen City. Yao temple was built in ancient Pingyang city of Fenxi in the Han and Wei dynasties. Emperor Huidi of Jin moved Yao temple to Fendong yuan in Yuankang period. In the third year of Tang Xianqing (658), the temple was moved to the present site in the south of the city. Repair of the past dynasties, repeated war, now save Shanmen, wufenglou, Guangyun hall, bedroom, etc., Lingxing gate, instrument door has been destroyed. In the middle of the mountain gate, the four characters "ancient emperor Yao Temple" are inlaid on the forehead. In the east of the side gate, "on the sun" is engraved, and in the west, "Zhanyun" is engraved, which means that people look at the sun like sunflower, and people look at the rain like grain. Cypress trees are planted on both sides of the south side of the mountain gate. There are only scattered steles in the past dynasties. In the west, a new glazed nine dragon wall will be built, facing the East. On the front stands the five Phoenix Tower, which is magnificent and handsome. It was originally named Guangtian Pavilion, which means the brightness of Yao and shun. Downstairs, there are three brick gate openings leading to the central courtyard. Under the double eaves of the upper floor, there is a surrounded porch platform. You can have a panoramic view of the scenery inside and outside the palace. On the top, there are 31 terracotta figures decorated with ridges, all of which are vivid. The harmony of five phoenixes symbolizes the benevolence of heaven, the unity of monarchs and ministers, the feast of rivers and seas, and the peace of the country and the people. Passing through the Wufeng tower, there is the well Pavilion of Yao. The pavilion is hexagonal in shape and surrounded by a fence. The well is 10 meters deep and covered with a canopy. It is said that the well was dug by Emperor Yao himself. In fact, it is an inspiration for future generations to think about the source of water and never forget the merits of Emperor Yao. There are no sheep pavilion and podding Pavilion on both sides. There are four symmetrical ancient cypresses in existence, one day cypress embraces Catalpa bungei, two day cypress embraces Sophora japonica, and the purple Catalpa bungei flower and white Sophora japonica flower are in full bloom among the green cypresses. It is said that sika deer came to the tree to neigh. Yexiaobai, or yexiaobai, is native to India. On the night of December 30 every year, the trees rustle like laughter, so it's named yexiaobai. Later, Guangyun hall is tall and majestic, which is the main hall for sacrificing Emperor Yao. In 1987, the temple was rebuilt with government funding. The base of the hall is 2 meters high and five pressing edges are long. The platform in front of the hall is wide and can hold hundreds of people. In front of the platform, the center of the platform is built with rolling bricks to form a slope, the side is built with stone strips, and the center is inlaid with two dragons playing with pearls, which is not owned by ordinary temples except the imperial palace. The hall is 27 meters high, nine rooms wide and five rooms deep. It is surrounded by 32 corridors, with a total of 77 inside and outside, similar to the Taihe Hall of the Forbidden City. The double eaves of the hall rest on the top of the mountain, green glazed tile edge, ridge stand colorful glazed ridge decoration, dragon and phoenix dance, resplendent. In the hall, there are 12 18 meter high pillars, each of which has a stone base. The water grinds the bluestone, which is bright and clean. Reliefs of unicorns, lions, elephants, flowers and animals are of high artistic value with vivid images and fine carving. In the brick and wood shrine in the hall, there is a painted statue of Emperor Yao, 2.8 meters high, wearing nine chapter clothes and a flat crown. The emperor is majestic and energetic. There are four male attendants beside. The four ministers under the altar are separated on both sides. It is said that Fang Ji and Wu man are on the left, and Shan Fei and he Qin are on the right. In front of the niche, there are two big dragons in the middle, with painted sculptures wrapped around the pillars. They are majestic and terrifying. They are called qiuzhu. In front of the hall, there are two color buildings above the center, which are integrated with the main hall. The hall is divided into two parts by the front wall, each of which has a hanging wooden ladder to go up to the color building. You can have a panoramic view of the Yao palace when you climb the building. Guangyun hall means to match heaven and land. There are four big words "the name of the people is incompetent" hanging on both sides of the color building in front of the hall. According to Zhang Shoujie's Shi Fa Jie, "the name of people's incompetence" is: "people's incompetence is called God." The backyard is the palace of Emperor Yao, in which there are colored statues of Emperor Yao and his wife. There are 20 new corridors on both sides of the hall, 20 in the East and 20 in the West. In the Northern Wei Dynasty, Emperor Yao was worshipped in Pingyang. In the later dynasties, according to the sacrificial rites, the emperors of the previous dynasties sacrificed once every three years. At that time, they sacrificed in the mid moon of spring, and in the place where they lived at that time Tang Yao lived in Pingyang mansion. During the large-scale reconstruction in the early Yuan Dynasty, "there are 100 mu of land and 400 houses". Kublai Khan's imperial edict granted the palace "guangzhai Palace", the palace "Wensi Palace" and the door "Binmu gate", 200 liang of platinum and 15 hectares of fertile land as incense for supporting the Palace. In the Ming Dynasty, it was expanded into a temple of three Saints (Yao, Shun and Yu). Emperor Kangxi of the Qing Dynasty personally came to Pingyang and ordered the temple to be rebuilt. He built Wanshou Xingguan and inscribed plaques with imperial pen. Yao Hall said: guangpi sibiao; Shun Hall said: xunzhen civilization; Yu Hall said: Eternal dependence. Nuoshi held a temple fair every year from March 18 to April 28. At that time, the officials, gentry and overseas Chinese will offer sacrifices ceremoniously, and the temple fair will be very lively. After the war, the temple fair was abolished. Unfortunately, in 1997, the Guangyun hall was deliberately set on fire and collapsed, resulting in irreparable losses. Guangyun hall was rebuilt in 1999. The ancient emperor Yao mausoleum is located in the east of Linfen City and the west of the north suburb of Guoxing Township, 35 kilometers away from the urban area. Yao mausoleum is built on a peninsula shaped rock hill at the foot of the mountain, surrounded by Waterloo River and flowing westward under the cliff. The mausoleum is 50 meters high, with a circumference of 30 meters. The ancient cypresses are luxuriant, so it is called Shenlin in the world. The gate faces the river bank, with a stage on the top and a brick gate hole on the bottom, in the form of a pavilion. When you enter the gate, the East and west of the gate used to be the theater building, and the north of the gate is the instrument gate. It is a wooden archway. The brackets are stacked layer upon layer, and the cornices are arranged from left to right. The structure is exquisite and ingenious. In the front of the square, it was written "Pingzhang common people" and endorsed "Xiehe Wanbang". In the past, this place was Xiama square. When civil and military officials paid a visit to Emperor Yao's mausoleum, they had to dismount and get off the sedan chair. In the center of the central courtyard of the Yimen gate is the Xian hall, three rooms wide, tall and open, and the East and West are the auxiliary halls. There are 13 stone steps behind the hall. There are five original main halls. The existing corridor of Steles, with "ancient emperor Yao mausoleum" as the symbol, is built in the Wanli period of Ming Dynasty. On both sides are steles of yuan, Ming and Qing Dynasties. On both sides of the central axis, there are wing rooms and ear rooms. On both sides of the stone steps under the stele corridor, there are two courtyards in the East and West. On the front, there are a row of brick certificate cave dwellings. The 12 rooms of the East and west of the original Hall and the divine kitchen have been destroyed. The village composed of tomb keepers in the west of the mausoleum has also been abandoned. According to the inscriptions of the Jin Dynasty, Li Shimin, Emperor Taizong of the Tang Dynasty, once stationed troops here to pay homage to Emperor Yao. In the early Tang Dynasty, the mausoleum was rebuilt, and the statue of Emperor Taizong of Tang Dynasty was placed in the side hall, which was repaired in song, yuan, Ming and Qing Dynasties. It is said that after Yao's death, all the people were grieved. People dug soil from the earth mound several miles away and carried it on to the sand rock mound. Then they turned the soil into a mountain, leaving the mound of pure loess. It is said that there is a hole in the seventh of the 13 stone steps behind Xiandian, which can pass through the hanging coffin well. It is said that someone pried open the stone steps, found the hole and tied the chicken down with a rope. At first, he heard the chicken cry, but when he went up with the rope, the head of the chicken disappeared. Since then, no one has explored this. It is also said that at the bottom of the hanging coffin cave, there is an undercurrent of clear water. When you climb to the top of the hall, you can still hear the murmur of water. Three miles to the east of the mausoleum is xiamazhuang, and another three miles to the East is Shangmatai. It is said that Yao went to Fushan for inspection or summer vacation and got on his horse. When he came back, he got off his horse at xiamazhuang and went to Yao temple to worship his mother. In the past, Yao mausoleum was jointly managed by eight surrounding villages, and the government reduced and remitted its corvee to ensure the cost of incense for Yao worship. The spring and Autumn Festival and the spring and Autumn Festival were not abandoned, and the people of neighboring counties gathered together to sing opera. After the Japanese invasion and war, the temple fair was abolished and has not been resumed. 临汾尧庙导游词 篇9In the early morning of October 16, we went to Yao temple under the guidance of our guide. Yao temple is located three kilometers south of Linfen City. Walking from the parking lot to the mountain gate, we can see that the four characters "ancient emperor Yao Temple" are inlaid in the middle of the gate, and "on the sun" is engraved in the east of the side door, and "Zhanyun" is engraved in the West. These two words come from historical records: "just like the sun, looking like the cloud", which means that people attach to Emperor Yao like sunflower to the sun, and people look at Emperor Yao like grain to the rain. From the mountain gate, there are 24 solar terms carved in stone. According to the records of the historian, Ming Xi's and he's of Yao King assiduously complied with Haoda's astronomical phenomena, calculated the movement of the sun, moon and stars, formulated the calendar, deduced the 24 solar terms and set the leap moon, which was the predecessor of the lunar calendar. Today, more than 4000 years later, the lunar calendar still has practical significance in guiding agriculture, which is one of the most outstanding contributions of Emperor Yao. The gate of the mountain is about 100 meters to Rio. Yimen is tall and solemn. This is the place where ancient emperors arranged their clothes when they paid homage to Yao temple. "People without instrument, why not die?" how can people not speak etiquette? I also solemnly dusted the dust on my body and crossed the instrument door. From Yimen to Guangyun hall, there is a long corridor with continuous dragon and phoenix patterns in the middle. The guide girl said that dragon and Phoenix represent auspiciousness. Let's all walk on the pattern. Walking on the broad corridor, I can't bear to trample on the great totem of the Chinese nation. During the reign of Emperor Yao, countless small clans with their own totem worship were integrated, achieving unprecedented great integration. Then the totems of these tribes were combined to form "dragon" and "phoenix". Under the unified leadership of Emperor Yao, these clans lived in harmony and treated each other equally. On both sides of the corridor are Yao period pottery unearthed in Dingcun, Xiangfen. Of course, many of them are imitations, which is also to let contemporary people know more about the production and living conditions of people in the late Paleolithic period. When I got to Wufeng downstairs, I was attracted by a carved stone. With only a few seal characters I knew, I recognized that the scarlet letter engraved on it was the song of striking Earth: "work at sunrise and rest at sunset. Dig a well and drink, farm and eat. It is said that during the reign of Emperor Yao, there were eight or 90 year old people singing in the fields. The lyrics reflected the peaceful and harmonious life of the people at that time. They lived carefree: they worked when the sun came out, went home to rest when the sun set, had water to drink when they dug wells and springs, and had food when they cultivated fields. They live on their own and enjoy themselves. It seems that the rule of the emperor has nothing to do with them. In fact, this poem just reflects that Emperor Yao was indeed a saint of a generation. He did not send taxes, did not increase corvee, did not show his authority and did not disturb the people. By doing nothing, people can not feel his existence, but also live a life of self-sufficiency, tranquility and contentment. It is no wonder that many clans are willing to attach themselves to and follow Emperor Yao. This song has been included in the book of songs. Wufeng building is close in front of you. Looking up at the majestic building, you can see that there are more than 30 upright pottery people on the top of the building, and pottery lion is the center. It is said that King Yao and his four ministers often went up the building to have a distant view. At that time, people referred to him and his four ministers as "Wufeng", so it was called "Wufeng building". Although Yao was the leader of the tribe, he never regarded himself as the leader and still lived an ordinary life. It is recorded in Han Feizi that King Yao lived in a thatched cottage, ate wild vegetable roots without seasoning, drank water in a earthen jar, covered his body only with coarse cloth, and wore deerskin in winter. This is probably the reason why he was not only admired by the emperor, but also admired by later generations. There is Yaojing Pavilion at the back of Wufeng building. This is a six star Pavilion, small and exquisite. It was built in the taining period of the Eastern Jin Dynasty, 1600 years ago. The well in the pavilion is said to have been dug by King Yao himself in order that the people would not be limited by the amount of water in the river. According to legend, Yao underground can be connected to the sea, so far underground springs gurgle, clear to drink. From a small well, we can also see that we are thinking for the people everywhere and taking the needs of the people as the direction of our own efforts. Next to the Yaojing pavilion are some odd trees of the Han Dynasty, such as cypress baohuai, cypress baocatalpa, Minglu cypress and Yexiao cypress, which are more than 1600 years ago. Yao palace behind Yaojing Pavilion is also called Guangyun hall. It is the place where King Yao summoned his ministers to discuss state affairs, and it is the main building in the temple. The palace is big and spacious. The guide girl said that this is a Tang Dynasty building, which has a history of more than 1300 years. Inside the hall, there is a two meter high statue of King Yao, with two prime ministers and two cabinet elders standing on both sides. One by one, they were kind-hearted and peaceful. In front of the Yao palace, there are two wooden pillars on the left and right, which is the famous defamation wood. In those days, the king of Yao opened his mouth to the public, solicited public advice and listened to public opinions. In order to dispel everyone's scruples, achieve the speaker's innocence and speak freely, we specially set up these two slanders. With the development of the times, defamation wood has evolved into exquisitely carved stone pillars, and has become the ornament of the imperial palaces and the symbol of the dignity of the emperors. However, the vivid images of Cambodian ministers are forever recorded in history. Zou Ji used his own experience of "Meiwo incident" to warn the king of Qi that those who say good things about themselves must have concerns and must be open-minded in order to hear more criticism. Wei Zheng of Tang Dynasty dared to speak out and was called a mirror by Emperor Taizong of Tang Dynasty. Are these historical figures and events merely warning the emperors of the feudal era? Are they also reminding us that every tourist here should listen to the advice and make friends? Around Guangyun hall are the palaces of Emperor Shun and Emperor Yu. In his later years, Yao asked the public who could conform to the times and inherit the throne? They first recommended Dan Zhu, his son. Yao thought that Dan Zhu was stubborn and liked to fight for meritorious service, so he could not shoulder heavy responsibilities. They also recommended Gonggong. Yao thought that Gonggong was good at words, eccentric in purpose, respectful on the surface, heinous and useless. Finally, he asked the four princes to recommend the talents who had disappeared in the countryside. All the princes recommended Shun to him. Shun used filial piety to treat the blind father, the cruel stepmother and the arrogant and unreasonable younger brother, so that they could make progress from good to evil. Yao then married his two daughters to Shun and asked them to observe his words and deeds. It took him twenty years to abdicate the throne to shun. Let people not only be relatives, but also be able to get them by virtue. All for the benefit of the tribal alliance, without any selfish thoughts. This is Emperor Yao in the hearts of posterity. I don't know whether later emperors asked themselves about the statue of Emperor Yao when they visited the Yao temple, whether they were ashamed of fighting for power and profit and greedy for enjoyment, and how many of the people who came to visit the Yao Temple today came to save their souls. Standing in front of the great emperors Yao and Shun, all souls are selfish and small, and need to repent. Behind the Guangyun hall is the bedroom, in which there are statues of King Yao and his wife. It is said that the wife of King Yao, named Lu Xiannv, was born in Gushe mountain. Legend has it that King Yao was almost hurt by a boa constrictor when he visited gusheshan, thanks to the deer fairy. So they fell in love at first sight and decided for life. Soon, they took deer fairy cave as their new house and held a wedding. That night, the candle mountain on the opposite side was shining brightly, making the fairy cave as bright as day. Later people called the wedding night "wedding night." After marriage, Yao was busy managing the affairs of the tribe, and the deer fairy often took care of the horse ranch in shegu mountain. The next year, Lu Xian had a boy. Yao was very happy and named him "Zhu". From the palace, we went to the drum tower, which is called "the first drum in the world", and the bell tower, which is called "huadiyao bell". The name of the drum "dare to admonish the drum" is the same as slandering the wood. It aims to publicize Emperor Yao's extensive speech, open up holy listening, accept admonition and eliminate malpractice, and create a precedent of democratic administration. The drum is made of a whole piece of cow hide, with a diameter of more than three meters. It is said that it has been recorded in the Guinness world record. The clock is 366 cm high, 240 cm in diameter and consists of 12 teeth. There are 366 days, 24 solar terms and 12 months in a year. The purpose is to praise Emperor Yao for creating the holy day of Yao with the flourishing bell. The last classic of Yao temple is "Yao Dian wall". Standing in front of the 300 meter "Yao Dian wall", my thoughts seem to have gone through the time and space of history, listening to the praises of emperors, celebrities and scholars for the great achievements of Emperor Yao. "Forever, like the sun, majestic and good work." No star's light can compare with the sun, no one's merit can surpass Emperor Yao. Emperor Yao - every posterity needs to look up and see. 临汾尧庙导游词 篇10After the death of Yao, one of the earliest Chinese ancestors, a Yao templewas built four kilometers south of Linfen City in memory of him, the firstfamous emperor in ancient times. The location is called yaomiao village. BecauseEmperor Yao built his capital in Linfen, it is historically known as "Pingyang,the capital of Yao". The fact that Yao temple was built in Linfen confirms thecorrectness of this statement. Yao is said to be the son of DIHE and the fifth grandson of Huangdi. Hisname is Fangxun and his name is Tao Tang. He is an ancient emperor in the lateprimitive society of China. In the Analects of Confucius, Taibo, Confucius said,"heaven is the greatest and Yao is the only one.". The people are notwell-known. It can be seen that King Yao had great merits and was loved by allthe people. In front of the Yao temple, there is an ancient gate tower with fourcharacters of "ancient emperor Yao Temple" engraved in the middle. On thelintels of the East and west sides, the words "Jiu Ri" and "Zhan Yun" arewritten. The temple was first built in the Jin Dynasty and then expanded by theTang, yuan, Ming and Qing Dynasties. In front of the temple, there aredongxichaofang, guangtiange, yaojingting, in the back there are Yaogong,shungong, Yugong, Wanshougong, and finally the bedroom. There are many housesand courtyards on both sides. According to historical records, the largest YaoTemple covered an area of more than 780 mu. Entering the Yao temple, the first thing you see is the beautiful Wufengbuilding. It was built in Qianfeng period of Tang Dynasty and has a history ofmore than 1300 years. The building is 19.3 meters high, with 12 eaves on threefloors. At the bottom of the building, there are three brick kiln corridors and13 corner columns leading to three floors. It is very magnificent. There aremore than 30 pottery people standing on the top of the building, and the potterylion is in the middle. The wind can move up and down, which is very beautiful.It is said that King Yao often worked with his four ministers (i.e. two primeministers). At that time, people referred to him and his four ministers as "fivephoenixes", and there was a saying that "one phoenix rises to heaven, and fourphoenixes sing together". Thus came the name of "wufenglou". There is Yaojing Pavilion at the back of Wufeng building. The pavilion wasfirst built in the taining period of the Eastern Jin Dynasty and has a historyof more than 1600 years. Pavilion for the hexagonal high eaves Pavilion form,small and exquisite, very chic. The well in the pavilion is said to have beendug by King Yao himself. The diameter of the well is eight inches. The wall ofthe well is two layers. The outer layer is made of nine mortise and tenonbricks. It is said that Yao well is connected to the sea, so far the undergroundspring is gurgling, and it is clear to drink. Guangyun hall, also known as Yao palace, is the place where ministers aresummoned to discuss state affairs, and also the main building in the temple.Founded in the third year of Tang Xianqing, it has a history of more than 1300years. The hall is 213 meters high, 26.3 meters deep and 43 meters wide. Thereare forty-two twelve meter pillars in the hall. The stone base under the columnis exquisitely carved, the lion and unicorn are lifelike, and all kinds offlowers are beautiful, which is rare in China. In the niche of the main hall,there is a statue of King Yao of the Tang Dynasty, two prime ministers and twocabinet elders standing on both sides. King Yao, whose surname is said to be Yi,is a native of baliyi village in the south of Yao temple. There is still a stonetablet engraved with "Di Yao Mao CI Tu Jie" in Yi village. It is said that KingYao used to live in a thatched house on the earth steps. In Han Feizi, fivebeetles, it is written that King Yao lived in a thatched cottage, ate wildvegetable roots without seasoning, drank water in earthen vats, covered his bodyonly with coarse cloth, and wore deerskin in winter. It can be seen that thelife of King Yao was very hard. After Guangyun hall is the bedroom palace, which was built in the Lingdeperiod of Tang Dynasty, about 1300 years ago. There are statues of King Yao andhis wife in the niche. It is said that the wife of King Yao was a deer fairy whowas born in Gushe mountain. There are deer fairy cave, deer fairy mirror stone(more than one mu), dressing table and so on. The vigorous ancient cypress in the temple, planted in the Jin Dynasty, ismore than ten meters high and more than two meters in diameter, which is veryrare. Among them, Robinia pseudoacacia and Catalpa bungei are in full bloomamong the cypress trees in summer. They are full of wonderful and interestingflowers, which can help you to have fun. Yaoling is located between Guocun village and Laohe River, 30km northeastof yaomiao. The mound of Yao mausoleum is made of pure loess. It is 50 metershigh and 80 meters around. The mound is covered with pines and cypresses,surrounded by earth cliffs. The waterlogged river flows southward in front ofthe mausoleum. Overlooking like a towering hill, it is very spectacular. Thereis a temple in front of the mausoleum of Yao. It is said that it was founded inthe early Tang Dynasty. According to the inscriptions in the second year of JinTai He (1202 A.D.), Emperor Taizong of the Tang Dynasty had been stationed inother places during his expedition to the Liao Dynasty, so he made a statue ofhimself because he visited the mausoleum of Yao. It was repaired in yuan, Mingand Qing Dynasties. There are many buildings in the temple, such as gate,archway, box house, Xian hall, duo hall, bedroom hall, stele Pavilion, etc. In the temple, there are more than ten steles, which record theachievements of King Yao and the evolution of his mausoleum. A stele erected inthe 18th year of Jiajing reign of the Ming Dynasty (1539 AD) has a completepicture of his mausoleum, which is still well preserved. |
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